Jennie MacDonald

Author & Photographer

Recent Awards, Publications, Productions, and Presentations

Awards

  • Second Place: “The Hall of Mirrors: Not Another Word.” The 2018 Marion Thauer Brown Audio Drama Competition.
  • First Place: “The St. Nicholas Caper.” The 2017 Marion Thauer Brown Audio Drama Competition.

Publications – Art/Photography

  • Art Photo: “Cat’s Cradle.” 3Elements Literary Review, No. 19. Spring 2018. Digital.
  • Art Photo: “In a Scrape.” 3Elements Literary Review, No. 18. Summer 2018. Digital.
  • Art Photos: “Inspire” and “Madea.” Obra/Artifact, The Mythos Issue. 2017. Digital.

Publications – Short Fiction/Poetry/Essays

  • Short Story: “Patterned in Shadow.” Non-Binary Review #15: The We Have Always Lived in the Castle Issue. Zoetic Press. 2017. Digital.
  • Short Story: “Lemonade.” Non-Binary Review #12: The Edgar Allan Poe Issue. Zoetic Press. 2017. Digital.
  • Flash Fiction: “On Reflection.” Non-Binary Review #11: The Anne of Green Gables Issue. Zoetic Press. December 2016. Digital.

Productions – Plays/Staged Readings

  • Staged Reading: “A Merry Widow or Two.” Denver, CO: One Night Stand Theatre. October 2016.
  • Staged Reading: “Samson Agonizes.” Denver, CO: One Night Stand Theatre. August 2016.
  • Staged Reading: “The St. Nicholas Caper.” Denver, CO: One Night Stand Theatre. December 2014.

Publications – Academic Articles/Chapters

  • “‘Is this my native country?’: Reviving Elizabeth Inchbald’s Everyone Has His Fault in Postcolonial Philadelphia.” In Restoration and Eighteenth Century Theatre Research. 31.1. Summer 2016. (2017).
  • “The Transtextuality of James M. Cain’s Snyder–Gray Novels: The Postman always Rings Twice, Double Indemnity, and The Cocktail Waitress.” In New Perspectives on Detective Fiction: Mystery Magnified, edited by Casey Cothran and Mercy Cannon. Routledge Interdisciplinary Perspectives on Literature. Routledge, 2015.
  • “Working from Home: Playwright Robert Jephson’s Theatrical Networking.” In Social Networks in the Long Eighteenth Century: Clubs, Literary Salons, Textual Coteries, edited by Ileana Baird. Cambridge: Cambridge Scholar Press, 2014. Social Networks was awarded Editor’s Choice, CSP, December 2015.
  • “‘I just love pretty clothes’: Considering the Sartorial in Anne of Green Gables. In Anne around the World: L. M. Montgomery and Her Classic, edited by Jane Ledwell and Jean Mitchell. Montreal, Quebec: McGill-Queens University Press, 2013.
  • “The House as Aesthetic Object in Ann Radcliffe’s The Mysteries of Udolpho.” Ed. Francesca Saggini and Anna Enrichetta Soccio. The House of Fiction as the House of Life: Representations of the House from Defoe to Woolf. Cambridge: Cambridge Scholar Press, 2012.

Publications – Encyclopedia Articles

  • Article: “Adaptation.” In The Encyclopedia of British Literature: 1660-1789. Wiley-Blackwell, 2015.
  • Article: “William Whitehead.” In The Encyclopedia of British Literature: 1660-1789. Wiley-Blackwell, 2015.
  • Article: “Gothic Novels.” In The Encyclopedia of Women and Popular Culture, edited by Gina Misiroglu. New York: Facts on File / Infobase Publishing, 2011.
  • Article: “The Rime of the Ancient Mariner.” In Encyclopedia of Themes in Literature, edited by Jennifer McClinton-Temple. New York: Facts on File / Infobase Publishing, 2011.
  • Article: “The Wizard of Oz.” In The Thirties in America, edited by Thomas Tandy Lewis. Pasadena, CA: Salem Press, 2011.
  • Article: “Entertainment: Major Broadway Plays and Awards.” In The Forties in America, edited by Thomas Tandy Lewis. Pasadena, CA: Salem Press, 2010.
  • Article: “The Hobbit.” In Masterplots, Fourth Edition, edited by Lawrence J. Mazzeno. Pasadena, CA: Salem Press, 2010.
  • Article: “Emma Goldman.” In Encyclopedia of American Immigration, edited by Carl L. Bankston III. Pasadena, CA: Salem Press, 2010.

Publications – Reviews

  • “Review of Wolfgang Amadeus Mozart’s The Impresario and Igor Stravinsky’s Le Rossignol by Santa Fe Opera.” Restoration and Eighteenth-Century Theatre Research 2: 87–90.
  • “Review of Wolfgang Amadeus Mozart’s Don Giovanni by Opera Colorado.” Restoration and Eighteenth-Century Theatre Research 2: 69–72.
  • “Review of Wolfgang Amadeus Mozart’s The Marriage of Figaro by Opera Colorado.” Restoration and Eighteenth-Century Theatre Research 1-2: 85–87.

Conferences/Presentations

  • Presenter: “‘The Comical Hotch-Potch, or the Alphabet turn’d Posture Master’: A Fluid Text Reading.” Conference: The Beauty of Letters: Text, Type and Communication in the Eighteenth Century. University of Birmingham, England: March 14–15, 2015.
  • Panelist: “The Intertextuality of James M. Cain’s Snyder-Gray Novels: The Postman always Rings Twice, Double Indemnity, and The Waitress.” Literary Studies Roundtable. University of Denver, Denver, CO: May 31, 2013.
  • Panelist: “‘The likeness of a living form’: The Role of Correspondence in Robert Jephson’s The Count of Narbonne” (revised, with AV images). Literary Studies Roundtable. University of Denver, Denver, CO: May 11, 2012.
  • Presenter: “Spectralizing the Text: From The Castle of Otranto to The Count of Narbonne.” 41st Annual Conference of the British Society for Eighteenth-Century Studies. Oxford, England: January 4–6, 2012.
  • Presenter: “‘The likeness of a living form’: The Role of Correspondence in Robert Jephson’s The Count of Narbonne.” 43rd Annual Meeting of the American Society for Eighteenth-Century Studies. San Antonio, Texas: March 22–24, 2012.
  • Panelist: “Reading / Reciting Eighteenth-Century Verse: Robert Jephson’s Prologue to The Count of Narbonne.” 43rd Annual Meeting of the American Society for Eighteenth-Century Studies. San Antonio, Texas: March 22–24, 2012.
  • Presenter: “Every One Has His Fault: Reading and Revising Elizabeth Inchbald’s London in Postcolonial America.” 41st Annual Meeting of the American Society for Eighteenth-Century Studies. Albuquerque, New Mexico: March 17-–20, 2010.
  • Presenter: “Reviving Casements: The Windows of Udolpho.” 39th Annual Conference of the British Society for Eighteenth-Century Studies. Oxford, England: January 5–7, 2010.